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Arthur Conan
Doyle’s enduring fame rests upon the shoulders of Sherlock
Holmes and in the cosy surroundings of 221b Baker Street. Too
often overshadowed, however, is his other great fictional
creation: the irascible genius that is Professor George Edward
Challenger. In 1912, to the delight of his reading public,
Doyle sent Challenger and his companions to the so-called
Lost World in South America. So pleased was he with the
result that he even acceded to disguising himself playfully as
the massively-bearded Professor for publicity photographs. The
sheer exuberance of the adventure, the terror of the
pterodactyls and other monsters, added to clever
characterisations, gave the writer a palpable hit, and one which
he wanted to follow up quickly.
The following
year, in his preferred publication of The Strand Magazine,
Doyle brought his four major characters together again for an
altogether stranger, shorter and less flashy outing, The
Poison Belt. Challenger issues instructions to the huntin’
and soldierin’ Lord John Roxton, the crabby and querulous
scientist Professor Summerlee and the narrator – journalist
Edward Malone as an eyes-wide-open Dr. Watson figure – to join
him at his house on the South Downs, and could they all possibly
bring oxygen cylinders?
What follows is
a very clever science fiction story indeed – literally
claustrophobic at times, with moments of high drama and tragedy
seamlessly woven by an author at the peak of his narrative
skills. Life on Earth, it seems, is desperately threatened,
and while the belligerent Professor cannot prevent apparent
catastrophe, he is the only man who understands what is about to
happen.
Conan Doyle did
not like to let go of favoured creations, and in 1929 - two
years after he had penned his last Holmes story and a year
before his death - he had a bit of short-story fun with just
Challenger and Malone in The Disintegration Machine.
The Challenger character remains intact, while the evil genius
he faces – an inventor of sorts – verges on the comic-book, and
as a creation is none the worse for it.
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